Showing posts with label Tupac Shakur. Show all posts
Showing posts with label Tupac Shakur. Show all posts

Thursday, April 7, 2011

LAPD: Leads Have Been Exhausted in Biggie Murder Case

LAPD: Detectives have exhausted leads in Notorious B.I.G. murder case


 April 7, 2011 - Los Angeles Times

As the FBI released hundreds of pages of investigative documents related to the unsolved slaying of rapper Notorious B.I.G., Los Angeles police said they have no new leads in the case.

LAPD Capt. Kevin McClure, head of the department's Robbery Homicide Division, said Wednesday that the LAPD's investigation into the killing of the rapper, whose real name was Christopher Wallace, remains open, but that detectives have exhausted the leads they were pursuing.

"We have followed up on all of the leads we have at this time to the best of our ability. If anything new comes along we will certainly look at it," he said.

The FBI documents, released on the bureau's website, come from its probe into who killed the rapper, also known as Biggie Smalls, and whether any Los Angeles police officers were involved. The records include internal LAPD and FBI memos, witness statements and stakeout notes.

The New York rapper was gunned down outside the Petersen Automotive Museum in the Miracle Mile area on March 9, 1997, as he was leaving a music industry party.

The FBI's probe was closed in 2005 with few answers after investigators looked into various theories.

The FBI opened its probe after Wallace's family accused the city of covering up LAPD involvement in the rapper's slaying. The suit was dismissed last year.

The FBI was responding to unconfirmed allegations that police officers were present at the party Wallace attended before he was killed, talking on cellphones before the shooting. It was alleged by some sources that the professional nature of the slaying suggested it couldn't have been pulled off by a single gang member, but rather a larger group of people or officers.

Most of the allegations contained in the documents had been reported in news stories over the years. Because the FBI redacted the names and affiliations of many of the informants and witnesses cited in the documents, it is difficult to independently assess their credibility.

At the time of his death, Wallace was one of the biggest stars in rap music. His slaying shocked the hip-hop community, coming just months after the Las Vegas slaying of another marquee rapper, Los Angeles-based Tupac Shakur. Once friends, the rappers became rivals whose respective camps regularly traded violent barbs in song lyrics and in interviews. Shakur's slaying also remains unsolved.


Christopher Wallace
 Various theories have linked the two homicides. Some believe the two men were killed as part of a rivalry between East Coast and West Coast rappers, or between their two music labels at the time, Los Angeles-based Death Row and New York-based Bad Boy Entertainment.

--Robert Faturechi


FBI file on Christopher “Notorious B.I.G.” Wallace


The FBI has released hundreds of pages of records from their investigation into the 1997 slaying of rapper Notorious B.I.G. The records, which contain FBI files spanning eight years, come from a civil rights probe the bureau launched into the killing.

The Los Angleles Times posted them on its website. CLICK the graphic below to see them

FBI DOCUMENTS
Related Posts-

Baby Pictured on Notorious B.I.G.'s 'Ready To Die' Grown Up

Brooklyn Week: Notorious BIG

Notorious R.E.V.I.E.W.

Mo' Money, Still Fourth


Thursday, February 17, 2011

The Tupac Shakur biopic

Pre-prodcution is full steam ahead for the Tupac Shakur bio-pic so far titled "Tupac" directed by Antoine Fuqua (Training Day, Brooklyn's Finest). Below are several articles about the movie-Cool Black  (Update March 20, 2011. The official casting page is linked at the BOTTOM of this post)




Synopsis And Character Breakdowns For Antoine Fuqua's Tupac Biopic
Katey Rich
01-19-2011
CINEMABLEND.COM

I'll never really understand why the producers behind the Biggie biopic Notorious didn't just double down and produce one about Tupac Shakur at the same time, keeping all the same actors and sets and telling the parallel stories from the different points of view. Notorious was a decent-sized hit, after all, and they could have guaranteed themselves another one six months later by getting the Tupac biopic in the can while they were at it.

But nobody listens to me, of course, so now Training Day director Antoine Fuqua is moving ahead with his Shakur biopic, opening up the casting process and revealing, via Moviehole, the synopsis of the planned film and the descriptions of all the major characters. Of course, because these characters are all real people there aren't a ton of surprises-- Suge Knight is described as "an enormous, intimidating, larger-than-life man," Tupac is "extraordinarily talented"-- but Jada Pinkett shows up in there, having befriended Tupac in high school, and that at least was news to me.

Not to beat a dead horse, but Anthony Mackie played Tupac to perfection in Notorious and I'd love to see him return to the role, but he's probably a little too old at this point to pull off a teenage Shakur, and may be ready to move on to something else. Take a look at some of the character descriptions below-- head over to Moviehole for the full list-- and tell me if you can think of any actors more perfect for the part than Mackie.

“The rise and fall of TUPAC SHAKUR is chronicled, from his days attending the Baltimore School of the Arts as a teenager, to his decision to leave his mother’s dead-end life behind and embrace the Thug Life in California, to his wild success as a rapper and his dangerous war against the East Coast scene. A true poet who was waylaid by fame’s trappings, his earliest ambition was to change the world and make a difference in people’s lives, and before his tragic murder in Las Vegas in 1996, that’s exactly what 2Pac did…”

[ TUPAC SHAKUR ]

Seen from the ages of 17 to 25, an extraordinarily talented rapper, poet, musician and actor, he grows up in the Druid Hill neighborhood of Baltimore, where he attends the School of the Arts and stands out among his classmates as a force to watch. Tupac grows up without a father, and his mother — once a proud member of the Black Panthers — struggles with crack addiction. He escapes to California with virtually nothing to his name but his beloved composition book. Well-read and intense, Tupac initially sees himself as a truth-bringer, and he wants to change the world with his music and his message. As his star rises, and he finds fame throughout the entertainment industry, his priorities change, and he grows increasingly angry and paranoid. An attempt on his life and a stint in prison alter his personality further until he fully embraces the Death Row label and all it stands for. Still, before his death in 1996, Tupac’s on the verge of another resurrection — of his music and his soul. In his rapper persona he’s a thug: tough, defiant, confident, tattooed and ripped, “pure energy, frenetic, propulsive, irresistible”; but in his personal life, especially around women like Jada and Kidada, he can be pensive, thoughtful and vulnerable…

[ SUGE KNIGHT ]

Early 30s, an enormous, intimidating, larger-than-life man with a stone countenance, never seen without his jewel-encrusted Death Row medallion or his thuggish bodyguards (all of whom are members of the Bloods), he’s the CEO of Death Row Records. At times a fearsome figure, and at other times a paternal, calming presence, Suge is proud of his authentic history; he grew up in Compton and built his label with his own hands, without any help from anyone. He believes that he and Tupac are kindred spirits, and he tries to lure Tupac away from Interscope. Suge gets his chance when he bails Tupac out of prison. Their legendary contract is signed on a napkin…

[ AFENI ]

Seen from early 30's – 40's, Tupac’s mother, a strung-out wraith, emaciated by crack, she’s struggling to raise three kids on her own in the ghetto. Afeni was once a proud, dignified member of the Black Panthers. Arrested for supposedly participating in a terrorist conspiracy, she stood up to her accusers in court, eloquently refuted their claims, and won. Her legacy is something that young Tupac wishes to emulate, so her fall from grace is tough on him. After her son leaves Baltimore and becomes a star, Afeni manages to clean up her act, and by the time Tupac is facing a prison sentence of his own, Afeni is there to support him as a strong, healthy woman again…
[ MAURICE "MOPREME" SHAKUR ]

Seen from his early to late 20s, with glasses and a goatee, he is Tupac’s half-brother who grew up with Tupac in Baltimore and eventually moves out to Oakland, California, to live with Tupac. A performer in his own right, Mopreme was the first to enter “the game” of music and he believes in creating a persona that’s separate from one’s real life. After Tupac gets shot, Mopreme tries to raise bail, and he’s concerned when Suge steps in; he doesn’t trust Suge and he’s also troubled by Tupac’s East Coast/West Coast war. The brothers’ once-close relationship is shattered when Suge turns the two young men against one another…

______________________________________________________________

Updates On Antoine Fuqua’s Tupac Biopic…
By Tambay, on February 11th, 2011
Shadow & Act

Looks like this ship is moving full-speed ahead…

We already know Antoine Fuqua is working on a Tupac biopic. We also know that he would like to cast unknowns in several of the starring roles (Tupac, Marion “Suge” Knight, Jada Pinkett and Kidada Jones – both women reportedly will feature very prominently in the film; both women dated Tupac early in his career).

Fuqua said he was prepared to “go to the streets” to find his stars.

Morgan Creek Productions announced today that principal photography is scheduled to begin in late Spring/early Summer on Antoine Fuqua’s long-in-gestation biopic, to be titled, simply, Tupac.

The film will be shot on location in Los Angeles, New York, Georgia and Las Vegas and is currently being cast.

“I am confident that Morgan Creek will stay true to the common goal we share of depicting Tupac’s life in a way that will allow the world to see the authenticity of his artistry, his hopes, and his life goals,“ said Afeni Shakur-Davis. She will also serve as executive producer on the project.

The screenplay was written by Steve Bagatourian (American Gun), Stephen J. Rivele (Ali, Nixon) & Christopher Wilkinson (Ali, Nixon). Universal Pictures will distribute.

The official synopsis for the highly-anticipated film reads, “The rise and fall of Tupac Shakur is chronicled, from his days attending the Baltimore School of the Arts as a teenager, to his decision to leave his mother’s dead-end life behind and embrace the Thug Life in California, to his wild success as a rapper and his dangerous war against the East Coast scene.”

We should know who are actors are very soon, so stay tuned…
_________________________________________________________

Online Casting Contest In The Works To Find Tupac Lead
By Cynthia, on February 14th, 2011
Shadow & Act

Looks like the casting process for new Tupac biopic being helmed by Antoine Fuqua and backed by Tupac’s mother, Afeni Shakar, will get a little more interesting in a few weeks.

If you have some great acting chops and can spit a rhyme, you may have a chance to play the slain rapper in the film.

Morgan Creek Productions/Universal Pictures, Fuqua and Skee.tv have joined forces to create an online casting contest in an effort to find the right person to play Tupac.

Up-and-coming black actors will get a chance to upload their video and fans will get to vote on their favorite. This casting campaign will kick off later this month.

Now obviously, this is a great way to garner some publicity for the upcoming project and keep the anticipation, for the film and the winner of the contest, at a fever pitch.

So this might be the perfect time to call that cousin of yours–who swears he’s the reincarnated Tupac–and tell him to step up to the plate and put his talents to the test!

Some of the great info above from the great website Shadow & Act


Cool Black’s Mad Commentary: I totally agree with Fuqua casting unknowns in this movie. There are SO MANY talented actors out here and most studios are only looking for “a name”. Frankly the best thing about the Biggie movie (Notorious (2009) Read my review here ) was the unknown star Jamal Woolard. The biggest “name” in the film Angela Bassett wasn’t even all that great.

So far so good on the direction of this picture.

Related post-
Tupac on 'A Different World'


______________________________________________________________


***UPDATE***
March 20, 2011

The official casting site is now UP! Check it out HERE

Tuesday, August 10, 2010

Tupac on 'A Different World'

Don't get it twisted this is Jada Pinkett's episode of A Different World and Tupac Shakur is a "Guest Star".

It's still a really good episode and does a good job at dealing with "black guilt" over leaving your friends behind to move forward and go to college. The whole episode, produced in 1993, but never aired in that regular season, is presented below in two parts.



Monday, February 16, 2009

Notorious box office U.P.D.A.T.E.

Release Date: January 16, 2009

Domestic Total as of Feb. 15, 2009: $36,612,000 (Estimate)

Production Budget: $20 million

After a month in theaters, Notorious only has a profit of about $16 million (domestically), which is great for you or me, or any company in America in this economy, but not for a Hollywood studio. Hollywood studios like to make at least $30-$50 million profits on a picture +$100 million even better. The foreign gross is only $156,000 and it probably won't go far beyond that.

The DVD release is estimated for May 2009 and it probably won't make much there either because those who want it on DVD already have it and or will have a bootleg of the official version. Sad to say that's how many people buy their movies.

The so-so box office of Notorious probably won’t stop future hip-hop bio pics, but it may give studios pause before green lighting the next one.

Previous Notorious blog entries:
A report about the opening weekend box office gross here
Review of the film here
More about the film here

Sunday, October 5, 2008

From Elvis to Eminem


A COOL BLACK ARTICLE OF INTEREST

April 7, 2003

For years it has been contended that African American artist Chuck Berry is the true king of Rock & Roll. He and the likes of Little Richard, who has been recently administered the title of the lesser “Architect of Rock & Roll”, started the genre that made Elvis famous and more popular than either ever was. The same can be said for Eminem. Rap was here long before Eminem, yet he’s seen by many as “the best rapper ever”, “King of Rap” etc. I’m not saying that Em doesn’t have the skills and shouldn't be praised; bottom line is that he is damn good at what he does, but the best ever? Only time can reveal that.

Many of his detractors though, see his success as yet another example of white America's refusal to embrace African-American culture unless it puts on a white face. That would be true if many of the white kids who buy Eminem's CDs have also been strong supporters of Dr. Dre, Snoop Dogg, Jay-Z, DMX, etc. before Em even came on the scene. It has also been long known that 60-70% of record buyers are these same white kids. I also think Eminem is also just plain ole playing the “Madonna card”. By that I mean a strategy superbly deployed by music artist Madonna, be raunchy, be raw, be controversial, sell records. It works!

I have read where people said that they don’t even like rap music or Eminem, but went to see his movie 8 Mile because of all the hype. (To date the movie has made 116 million worldwide. Not to mention it set an all-time one week sales record for an "R" rated DVD, generating consumer spending of $75 million in purchases and rental.)

In a MTV interview Raymond Scott-co-founder of The Source magazine who is also a rapper under the name of Benzino took many verbal assaults against Eminem. Benzino, whose album sales are no way equal to Eminem’s, may seem like he is playing for attention by picking on the biggest name in rap. He explained it however as, "I had a problem with 'the machine,' with the double standard in hip-hop," "Certain media outlets take to him and look at him as the savior in hip-hop and the #1 in hip-hop and [do] not recognize the guys out here that created hip hop. ... Eminem is just the hood ornament for the machine. ... You think I could grab my crotch and put my ass in people's faces the way he does? No way. But as long as the color of his skin and his eyes fits what America wants, ... it's all right."

And to a certain extent I agree. Tupac [Shakur] was just as adversarial and licentious as Eminem, but scared the majority of America. While they were afraid of Tupac and what he represented they would and did embrace Eminem. Eminem talks about "white boy stuff" acts of self contusion like cutting your wrist, getting high on prescription pills-that kind of stuff, the kind of stuff white America can identify with. The stuff that happens in thier culture. They can't identify with the "street reporting" that goes along with gangsta rap. KRS-ONE (the teacher) said that white rap fans like to listen to rap because it lets them live vicariously through what the rapper is saying without EVER having to live that life that rapper has led. This is true because I do it.

I'm not as "gangsta" as say a 50 Cent or DMX, probably oppositely so, I live vicariously through what they are saying. It’s like reading a book or watching a movie and identifying with a character even though you never been in that situation.

In the end, majority rules. If the majority can identify with it, great!, they will recognize you. If not, you will surely be ingnored.

-Written by Cool Black aka Donald Dankwa Brooks

+Orginally published at Cool Black's Media Madness

An interesting aside to this article-Eminem's own song "White America". You can watch the video below (WARNING contains explicit language)