By Aphrodite M.
Sidney Lumet was an esteemed
New York based director known for the deep social issues he featured in his films set against the backdrop of the Big Apple. Lumet loved his hometown in a way he tried to articulate in all of his work. In honor of Lumet’s recent passing, we take a look at the fabulous city he adored as featured in fifteen quintessential films. These memorable movies, set in chronological order, either celebrated or laid bare the subcultures, attitudes, enclaves, myths, mores and landscape of
New York.
Citizen Kane (1941)
This Oscar winning film is about media mogul Charles Foster Kane, based on real life magnate William R. Hearst, played by Orson Welles. After Kane’s death, a news reporter sets out to uncover the mystery behind Kane’s final words. Citizen Kane is a critically acclaimed film which gives us a glimpse at the sensationalism which fuels New York newspapers and media. It also caused its own real life sensation when Hearst blocked any mention of the film in all of his publications.
Miracle on 34th Street (1947)
This story is set in New York and features many famous and celebrated New York institutions. It is a Christmas classic starring a young Natalie Wood as a girl named Susan who comes to believe a Santa in the Macy’s Thanksgiving Day Parade, later hired to work at the flagship Macy’s store on 34th Street, is the real Santa Claus. Santa, who calls himself Kris Kringle (Edmund Gwenn), confirms Susan’s beliefs, to the dismay of Susan’s mother Doris. Kringle is forced to undergo psychological evaluations and risks being committed to Bellevue Mental Hospital. Among all the turmoil Kringle brings peace between the dueling department store heads of Macy’s and Gimbels and spreads hope and goodwill to his nonbelievers.
On the Waterfront (1954)
Although it was filmed in Hoboken, New Jersey, On the Waterfront is a contender because it was based on a series of articles from the New York Sun detailing corruption on the docks of Brooklyn and Manhattan. Marlon Brando stars as dockworker Terry Malloy who is dragged into the violence and corruption of the longshoremen’s mob controlled union. The unsuspecting longshoreman leads friend Joey Doyle to his death when he brings him to union boss John Friendly. Terry soon falls for Doyle’s sister, Edie, and must decide if he should testify against Friendly and risk dishonor and retaliation for being an informant.
Breakfast at Tiffany’s (1961)
The class and elegance of New York is certainly embodied in this iconic classic starring Audrey Hepburn. Hepburn plays the outgoing and eccentric Holly Golightly who is running from her past and trying to find a new life and identity in the bustling big city. The film was named after the famous 5th Avenue jewelry store Tiffany’s. The store becomes its own character in the film as it is featured as an oasis for Golightly to escape to both mentally and physically when her problems are bearing down on her.
West Side Story (1961)
Warring New York street gangs, ethnic divides and star-crossed love makes this musical adaptation of Shakespeare’s Romeo and Juliet a tantalizing classic. A young man named Tony (Richard Beymer), who is a member of a white working class gang called the Jets, falls in love with Maria (Natalie Wood), whose brother is a member of the rival Puerto Rican street gang the Sharks. Maria and Tony hope their love can overcome the barriers set between them but their friends and family will not let that be. Although this movie showcases many upbeat musical numbers it also focuses on some very dark and dramatic social issues.
The French Connection (1971)
This action drama won the Academy Award for best film and is based on a true story about police corruption and overseas drug smuggling. Gene Hackman stars as detective James “Popeye” Doyle, based on real life narcotics detective Eddie Egan. Doyle and his partner Russo try to bust some crooked cops involved in drug smuggling from France while also dealing with unwanted interference in their case by the FBI. The chase sequences in the film were heralded as some of the best for their time and feature Gene Hackman doing much of the actual driving throughout New York City. Also, it was said that the use of filming permits was not strictly adhered to when shooting the car chase scenes.
The Godfather (1972)
This epic gangster film chronicles the family life, questionable business dealings and brutal violence of the Italian-American Corleone family living in New York. Based on a novel by Mario Puzo and directed by Francis Ford Coppola, this star studded Oscar winner is the mafia movie which created the mold for all future mafia movies. Acting powerhouses such as Marlon Brando, Al Pacino, Robert Duvall, James Caan and Diane Keaton make this film a steady favorite on many top movie lists.
Serpico (1973)
Sidney Lumet directed this film about the real life New York City detective Frank Serpico. Lumet used four of the five NYC bureaus for filming and displayed a wide range of the city’s landscape. In the film, Serpico (Al Pacino) goes undercover to expose the corruption which is rampant among his fellow police officers. His infatuation with the case causes upheaval in his personal life and also makes him a pariah on the force leading to violence and threats of termination.
Annie Hall (1977)
Woody Allen, a New York City fanatic like Lumet, directed and starred in this romantic comedy with Diane Keaton. Keaton plays the flighty, men’s wear attired love interest of neurotic comedian Alvy Singer (Woody Allen). The couple have a tumultuous relationship of make ups and break ups which leads them from New York to Los Angeles and back again. A notable device Allen uses in the film is the suspension of the illusion of the fourth wall in the characters’ lives. In several scenes he has the characters look directly into the camera and address the audience which is usually considered a movie-making faux pas.
Tootsie (1982)
Dustin Hoffman plays out of work, New York actor Michael Dorsey who has a reputation for being difficult. Dorsey’s 40th birthday is fast approaching and he has no way of paying his mounting bills. After being rejected for several roles, Dorsey decides to dress as a woman and audition for a female role on a soap opera. He lands the part and what he thinks is a short term solution to paying his bills becomes a breakout role which audiences come to love. He then is forced into a dual existence where he is the female actress Tootsie for work and Michael for his girlfriend Sandy, who knows nothing of his female disguise.
A Chorus Line (1985)
This film, based on the similarly named hit Broadway musical, stars Michael Douglas as Zach a tough, no nonsense director casting a new musical. Dancers come out in droves to a Broadway theater to audition. They end up revealing their innermost hopes and desires on the stage as this audition leads into a group therapy type session that lasts into the night. Zach is surprised by an appearance from his old flame Cassie (Alyson Reed), who is desperate for work and comes to audition for the chorus although she is overqualified. Zach soon finds his own emotional turmoil laid out on stage. It’s an inspiring and at times heartbreaking movie which details the pursuit of one’s passion at any cost.
Wall Street (1987)
Named after the financial district of New York City, Wall Street follows youngblood stockbroker Bud Fox (Charlie Sheen) as he is driven into questionable financial endeavors by his morally inept hero Gordon Gekko (Michael Douglas). This Oliver Stone directed film delves into the seedy, high stakes financial world of corporate raiding, insider trading and securities fraud.
The Age of Innocence (1993)
This 1920’s Edith Wharton novel was adapted for the screen by Martin Scorsese and illustrates New York life in the 1870’s. The propriety of high-society has New York lawyer Newland Archer (Daniel Day-Lewis) shackled to a loveless engagement with socialite May Welland (Winona Ryder). When May’s cousin Countess Ellen Olenska (Michelle Pfeiffer) comes to town, Newland finds himself enraptured by this passionate and scandalous women. This movie is mired with societal and class hierarchies and the crushing constraints of its time.
The Devil Wears Prada (2006)
Andrea Sachs (Anne Hathaway) is thrown into New York City’s cut-throat fashion world when she lands her first job as an assistant to the prestigious and highly demanding fashion editor Miranda Priestly (Meryl Streep). Andrea comes to question her values and her sanity in this at times comedic look at New York’s high fashion and magazine publishing microcosms.
Precious: Based on the Novel Push by Sapphire (2009)
This lurid tale of a young women living in the Harlem projects, and facing unimaginable abuse at the hands of her stepfather and mother, is a testament to the power of the human spirit against overwhelming odds. Lost and forgotten in the run-down gray cityscape, an illiterate, twice pregnant and heavily abused girl learns to cope by escaping to her imagination. She is given hope and solace by her new teacher Blu Rain (Paula Patton) and Miss Weiss, her social worker (Mariah Carey).
This is in no way a definitive list and there are many favorite New York based films which were omitted. The ones chosen for the list certainly have merit and many are in the spirit of Sidney Lumet’s films which voyeuristically peek into seminal social issues and individual human turmoil. Some other noteworthy New York films are Saturday Night Fever, American Gangster, Annie,When Harry Met Sally, Goodfellas, Maria Full of Grace, Fame, Taxi Driver, Arthur, Coming to America, Hello, Dolly! and Gangs of New York. This list is as variable as the city it is based on so feel free to suggest your own picks.